Archie Meets Nero Wolfe

From the time I began reading Rex Stout’s Nero Wolfe mysteries some 60 years ago as a teenager, I was fascinated by how Wolfe and his irrepressible sidekick and chronicler, Archie Goodwin, happened to join forces. We don’t know the answer in Mr. Stout’s compelling mysteries because when Wolfe and Goodwin appear in their first novel, “Fer-de-Lance” (1934), there is no back story and little detail about their previous lives.

This fascination with the beginnings of the partnership continued when I became privileged to be the family-approved continuator of the Wolfe series after Mr. Stout’s death in 1975. During the 1980s and ’90s, I was author of seven Nero Wolfe mysteries for Bantam Books but never delved into the origins of the team. Still, I remained intrigued by the possibility of some day writing about how Archie came to meet Nero.

I became further enthused about the idea in 2009 with the publication of longtime mystery novelist Joe Gores’ “Spade & Archer,” a prequel to Dashiell Hammett’s “The Maltese Falcon.” Mr. Gores, who died in 2011, had captured the essence of Hammett’s characters and the noir flavor of his writing and his settings.

That sealed the deal for me, and I began to form what was to become “Archie Meets Nero Wolfe.” In developing the story, I made use of what few clues Mr. Stout had sprinkled around in his tales, including a brief reference to the kidnapping of a wealthy hotelier’s son. That kidnapping became a central focus of my book, along with young Archie Goodwin’s coming of age as a detective in the Manhattan of 1930.

Approved by Mr. Stout’s estate, “Archie Meets Nero Wolfe” will be released this fall, both in print and as an e-book, by Mysterious Press and its longtime head, Otto Penzler. Mysterious Press also will be re-releasing my seven earlier Wolfe novels as e-books. For me, working with Mr. Penzler seems fitting, because it was at his Mysterious Bookshop in New York that I had the launch of my first Nero Wolfe novel, “Murder in E Minor,” 28 years ago.

 

 

 

Joe Gores: A Noir Master

I regret I never met mystery writer Joe Gores, who died at 79 in January 2011 in California. Gores, who wrote the kind of hard-boiled short stories and novels that harkened to mystery literature’s “golden age,” lived a life that itself was the stuff of fiction.

Although he was a college graduate, Gores also spent plenty of time experiencing a world far removed from cloistered academia. He worked as a logger in Alaska, an automobile repo man, a truck driver, the manager of a hot-pillow motel, a teacher at a boy’s school in Kenya, and a private investigator in San Francisco. All undoubtedly provided fodder for his spare, crackling prose and his taut, noir plots.

Although Gores won three Edgar Awards for his mystery writing, his last major work, “Spade & Archer” (2009) stands as my personal favorite. This prequel to Dashiell Hammett’s 1929 classic, “The Maltese Falcon,” faithfully captures Hammett’s gritty, lean style.

Hammett’s daughter had liked his work so much that she gave her blessings to “Spade & Archer,” the storyline of which ends at the moment “The Maltese Falcon” begins. (Personal note: In both The New York Times and The Wall Street Journal, reviewers of “Spade & Archer” were kind enough to also mention my continuation of the Nero Wolfe adventures after the death of Rex Stout.)

Gores arrived on the scene in the late ‘50s, when the era of pulp magazines such as “The Black Mask” was coming to a close. But he was very much a part of that tradition, which had its origins in the 1920s and ’30s, when Hammett, Raymond Chandler, Carroll John Daly and other classic crime novelists of the hard-boiled school were honing their craft. Joe Gores very much belongs in their ranks.

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