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Nero Wolfe and Archie Goodwin are tasked with protecting the most hated columnist in New York City
There are few people Nero Wolfe respects, and Lon Cohen of the New York Gazette is one of them. So when Cohen asks for a favor, the famously brilliant—and notoriously lazy—detective is inclined to listen. According to Cohen, someone wants to kill the Gazette’s gossip columnist, Cameron Clay. Death threats are a regular hazard for Clay, who’s hurled insults and accusations at every bold-faced name in the five boroughs. But the latest threats have carried a more sinister tone.
The columnist has narrowed his potential killers down to five people: an egomaniacal developer, a disgraced cop, a corrupt councilman, a sleazy lawyer, and his ex-wife. But when Clay turns up dead, the cops deem it a suicide. The bigwigs at the Gazette don’t agree, so they retain Wolfe and his indefatigable assistant, Archie Goodwin, to figure out which of the suspects had the mettle to pull the trigger.
“Outstanding….Goldsborough again demonstrates an impressive ability to emulate Rex Stout’s narrative voice.” —Publishers Weekly
“Mr. Goldsborough has all of the late writer’s stylistic mannerisms down pat.” —The New York Times
“Goldsborough does a masterly job with the Wolfe legacy.” —Booklist
From the time I began reading Rex Stout’s Nero Wolfe mysteries some 60 years ago as a teenager, I was fascinated by how Wolfe and his irrepressible sidekick and chronicler, Archie Goodwin, happened to join forces. We don’t know the answer in Mr. Stout’s compelling mysteries because when Wolfe and Goodwin appear in their first novel, “Fer-de-Lance” (1934), there is no back story and little detail about their previous lives.
This fascination with the beginnings of the partnership continued when I became privileged to be the family-approved continuator of the Wolfe series after Mr. Stout’s death in 1975. During the 1980s and ’90s, I was author of seven Nero Wolfe mysteries for Bantam Books but never delved into the origins of the team. Still, I remained intrigued by the possibility of some day writing about how Archie came to meet Nero.
I became further enthused about the idea in 2009 with the publication of longtime mystery novelist Joe Gores’ “Spade & Archer,” a prequel to Dashiell Hammett’s “The Maltese Falcon.” Mr. Gores, who died in 2011, had captured the essence of Hammett’s characters and the noir flavor of his writing and his settings.
That sealed the deal for me, and I began to form what was to become “Archie Meets Nero Wolfe.” In developing the story, I made use of what few clues Mr. Stout had sprinkled around in his tales, including a brief reference to the kidnapping of a wealthy hotelier’s son. That kidnapping became a central focus of my book, along with young Archie Goodwin’s coming of age as a detective in the Manhattan of 1930.
Approved by Mr. Stout’s estate, “Archie Meets Nero Wolfe” will be released this fall, both in print and as an e-book, by Mysterious Press and its longtime head, Otto Penzler. Mysterious Press also will be re-releasing my seven earlier Wolfe novels as e-books. For me, working with Mr. Penzler seems fitting, because it was at his Mysterious Bookshop in New York that I had the launch of my first Nero Wolfe novel, “Murder in E Minor,” 28 years ago.